This collection of 17 of Alan Colquhoun's essays marks a watershed in the development of architectural thinking over the past three decades, comprising a virtual "theory of Modernism" in architecture. Preface by Kenneth Frampton. Winner of the 1985 Architectural Critics Award for the best book published on architectural criticism over the past three years. Since the early 1950s...(展开全部)

This collection of 17 of Alan Colquhoun's essays marks a watershed in the development of architectural thinking over the past three decades, comprising a virtual "theory of Modernism" in architecture. Preface by Kenneth Frampton. Winner of the 1985 Architectural Critics Award for the best book published on architectural criticism over the past three years. Since the early 1950s...(展开全部)

Vincent Scully has shaped not only how we view the evolution of architecture in the twentieth century but also the course of that evolution itself. Combining the modes of historian and critic in unique and compelling ways - with an audience that reaches from students and scholars to professional architects and ardent amateurs - Scully has profoundly influenced the way architect...(展开全部)

马修·阿诺德(Matthew Arnold)（1822年--1888年）英国近代诗人、教育家，文学批评家。他任牛津大学诗学教授长达十年。诗歌灵感得之于古希腊作家，歌德，华兹华斯，写过大量文学，教育，社会问题的随笔，猛烈抨击英国生活和文化方面的地方主义，庸俗风气，功利主义，成为当时知识界的批评之声，影响了托·斯·艾略特，利维斯等一代文人。1849年，他发表第一部诗集《迷途浪子》(The Strayed Reveller)。他只能利用工作之余的闲暇进行文学创作，但即便是业余之作却已使他得以跻身于维多利亚时代主要作家的行列。其诗歌和评论对时弊很敏感，并能做出理性的评判。阿诺德的诗歌创作主要集中在1850年代，1860年后主要从事散文写作，写下了大量的文学评论和社会评论作品。阿诺德的诗作主要收集在《诗集》(Poems, 1853)、《诗歌二集》(Poems:...(展开全部)

The Architectural Uncanny presents an engaging and original series of meditations on issues and figures that are at the heart of the most pressing debates surrounding architecture today. Anthony Vidler interprets contemporary buildings and projects in light of the resurgent interest in the uncanny as a metaphor for a fundamentally "unhomely" modern condition. The essays are at ...(展开全部)

The Architectural Uncanny presents an engaging and original series of meditations on issues and figures that are at the heart of the most pressing debates surrounding architecture today. Anthony Vidler interprets contemporary buildings and projects in light of the resurgent interest in the uncanny as a metaphor for a fundamentally "unhomely" modern condition. The essays are at ...(展开全部)